Okay, Stop It With the Macklemore Hate

As I have made clear before, I like Macklemore and Ryan Lewis. Of the albums nominated for 2013 Grammys, there isn't one that I like more than "The Heist." But ever since I first heard of him, there has been a pretty divided response. Some of that is inevitable because of the fact that Macklemore's a white guy in a traditionally black music form and because their biggest hit, "Thrift Shop," could be seen as a novelty song. Couple that with their song "Same Love," which some have also complained about because Macklemore is straight and the song is about being not straight, and you have a lot of hate coming out for, well, Macklemore, if not Ryan Lewis.

Almost all of the hate is misguided. As a jump off for the key arguments in this fight, I'm going to use this annoying Thought Catalog article that made most of the bad arguments I've seen and collected them all in one convenient place.

But first, let me state my official position, so I'm not holding anything back:

  • Both Macklemore and Kendrick lost Album of the Year to Daft Punk. I think both albums were vastly superior to Daft Punk.

  • "Same Love" lost Song of the Year to "Royals," by Lorde. While I like both songs, the best song of the year, in my opinion, was "Collard Greens," by Schoolboy Q and Kendrick Lamar.

  • Macklemore & Ryan Lewis won Best New Artist. Kendrick Lamar should've won. While I'll point out below that I thought Macklemore's album was better (slightly) than Kendrick's, k.dot had a bunch of appearances that weren't on his album that rocked the year, most notably the most talked about hip hop moment of the year in his verse on "Control," by Big Sean. Based on the entire body of work, Kendrick both had a better year, musically speaking, he also had more impact on the music and on other artists moving forward.

  • In a loaded Best Rap Performance category, one that left out a lot of good songs, "Thrift Shop" beat Kendrick's "Swimming Pools (Drank)." I already said I thought "Collard Greens" was the best song of the year, but there were a number of other songs I would also put ahead of these two, even though I like both.

  • "Thrift Shop" won Best Rap Song. Kendrick was nominated for a guest verse on an A$AP Rocky song that didn't really belong. "Collard Greens" was still better, as were songs from Jay-Z & Justin Timberlake and Kanye West that were nominated.

  • "The Heist" beat Kendrick Lamar's album as well as good albums from West and Jay-Z. I think this win was deserved.

So, for the record, I think only one of the Macklemore & Ryan Lewis victories would've been one I would've voted for, but only one of those other categories would I have replaced Macklemore with Kendrick.

I'll also note that Kendrick lost Best Rap/Sung Collaboration to Jay-Z & Justin Timberlake and nobody's complaining about that.

So, on to the Thought Catalog article, titled "25 Reasons Macklemore Winning Over Kendrick Lamar Is Complete BS."

"1. Because other than Same Love and Thrift Shop, how many of us actually know any other Macklemore tracks? (And if we’re being honest, it’s the beat that makes Thrift Shop because the rap is mediocre.)"

Well, considering that "Can't Hold Us" hit #1 and was nominated for a Grammy, a BET award, an MTV award and a Teen Choice award, "Cowboy Boots" is a big enough song to have a karaoke version, "White Walls" hit #15, and "Wings" was used for the NBA all-star game weekend promos, I'm guessing people have heard some other songs. As for the rap being mediocre, I'd like to see the author perform it. Macklemore has a distinctive style that isn't easy to do.

"2. Because let’s face it: 90% of Macklemore’s demographic are 12-year-old white girls from the suburbs."

All of the available evidence suggests otherwise. The comment is so far from any kind of evidence as to be laughable.

"3. Because Kendrick Lamar is saving hip hop from future Macklemores (and Drakes, to be perfectly honest.)"

Macklemore, in both content and form, is much closer to Kendrick Lamar than Drake. And there's no conflict between what Macklemore does and what Kendrick does. Many people like both.

"4. Because he is riding his White, heterosexual privileges to the bank and it got annoying real fast once you saw beyond the surface."

If this is true, it has nothing to do with Macklemore (beyond making quality music) and everything to do with a racist media.

"5. Because from a purely academic standpoint, it is actually amazing that people who identify as gay or queer, PoCs, and queer PoCs, have had the same message as Macklemore in popular culture for decades. And all of a sudden it is being recognized because a White, heterosexual male is saying it?"

Again, that's because of a homophobic media and nothing to do with Macklemore.

"6. Because Macklemore is representative of everything that is wrong with the music industry – he is distracting people away from THE MUSIC, with THE PERFORMANCE."

This is utter nonsense. What's wrong with the industry is record companies, Ticketmaster, MTV, BET, the media. Macklemore made his success by ignoring all of these things and doing it independently. He paid his dues, made the music, toured relentlessly, and brought along artists that no one else had heard of and gave them exposure.

"7. Because the fact that there is even a comparison between Macklemore and Kendrick is nauseating. What next? Are we going to compare Taylor Swift’s vocals to Adele’s?"

Terrible analogy. They both rap. People like them. That's the only comparison anyone other than people like this author are making. And I'm starting to sense a lack of substance here that relates only to Macklemore's race.

"8. Because like it or not, his politics likely had something to do with the awards, and while that’s great and all, that should hardly be a substantiating factor for musical acclamation."

Good music with good politics should absolutely be rewarded more than good music with bad politics. Or bad music.

"9. Because even if Kendrick didn’t win, Kanye and Jay-Z were on that list. Like are we actually on planet earth or is this an alternate version of hell?"

You can make arguments that Kendrick's or Kanye's albums. It's much harder to make that case for Jay-Z's album, as much as some of it was pretty good. But, at this point, the author isn't actually giving new reasons, just repeating the old ones.

"10. Because Macklemore is that white guy with a little bit of talent in a particularly Black genre. And if the roles reversed, it would be 1000 times harder to receive that acclamation for such an ordinary artist."

"1000 times" is nonsense and the author knows this (see the Drake comment above). Yes, it was easier for him because was white. He's admitted that, rapped about it, given credit to where it was due, and explicitly avoided saying anything that would make it seem like he is co-opting the artform and not a true devotee.

"11. Because if I hear somebody compare him to Eminem one more time, I am going to scream. Eminem doesn’t need to be the face of “White rappers.” Eminem is a rapper, period. He is one of the greatest; love him or hate him. Sit down with that comparison."

I've actually never heard this comparison and I live on hip hop blogs.

"12. Because somehow Macklemore has FOUR Grammys, and Nas, DMX, and Snoop Dogg COMBINED do not have that total. (And yes, I stole that stat from Twitter and the fun fact is that the above mentioned artists actually have 0 Grammys each.)"

So, the Grammys suck. What does that have to do with hating Macklemore? He didn't cause it.

"13. Because the following text to Kendrick was cool and all but then showing it to the world to portray some kind of pretentious humility pretty much sums up Macklemore in one word: EXTRA."

Absolute BS. Kendrick doesn't need Macklemore's approval. This wasn't important because he sent it to Kendrick. It's important because he said it to the public, that's the only thing that makes the sentiment valid. Now all of Macklemore's fans know who Kendrick is and they know that the artist they respect thinks this guy's album is even better. What do you want to bet k.dot sends Macklemore a thank you for the sales boost.

"14. Because Kendrick is carrying hip hop on his back and preventing it from becoming a shittty genre that was honestly half way to imploding on itself with every other terrible dubstep beat ever made."

Also nonsense. Kendrick is amazing, but we're entering into a new hip hop golden age. The number of all-time greats producing great material is high (Jay-Z, Eminem, Nas all had great albums recently), the young group is so diverse and plentiful, it's ridiculous. I haven't been this excited about the state of hip hop in more than a decade.

"15. Because I have never met a single human being who is a legitimate fan of the hip hop genre and not solely that mainstream crack, who would choose Macklemore over Kendrick."

Now you have. I'll wager I know more about hip hop, particularly old school and underground hip hop, than the author of this post. I was singing Kool Moe Dee songs before the author was born.

"16. Because if we are now choosing what is good and quality work based solely on popularity, especially in the arts, then we as a society have truly lost our way."

Nothing in this sentence is even remotely accurate.

"17. Because WWPS….What Would Pac Say?"

Yes, because Pac is the only voice that counts in hip hop? What would Queen Latifah say? What would Pharrell say? What would Schoolboy Q say? What would Ab-Soul say? What would XXL say? What would Eminem say? What would Angel Haze say? What would Chance the Rapper say? What would Method Man say? What would the Source say? What would Pusha T say? What would Kanye West say? What would French Montana say? What would Mac Miller say? What would Big K.R.I.T. say? What would Meek Mill say? What would Trinidad James say? What would Jay-Z say? What would Questlove say? What would Bun B say? What would A$AP Rocky say? What would Danny Brown say? What would Big Sean say? What would Tyler the Creator say? What would Diddy say? What would Paul Wall say? What would J. Cole say? What would 2 Chainz say? What would DJ Premier say? What would Big Boi say? What would Sir Mix-a-Lot say? What would Wiz Khalifa say? What would Iggy Azalea say? What would the Lox say? What would Wale say? What would Nas say? And, importantly, what would Kendrick Lamar say? The point is that all of these rappers have worked with, endorsed, or in some way given props to Macklemore. That means something.

"18. Because if the future of hip hop rests on Macklemore, we might as well all just quit now. No seriously, put on top 40 and let’s all just go the hell home."

This is a repeat of a previous statement, but the future of hip hop is not Macklemore or Kendrick. It's both of them. And all those guys in the last question. And many others.

"19. Because the Grammys continues to certify that it is an establishment that doesn’t actually know anything about hip hop or rap. I mean if Nas of all people has not won one, there is hardly anything redeeming about this awards show."

While the Grammys have their problems, in almost all of the hip hop categories, the nominees were quite accurate for the best stuff from the past year. Even if you don't like Macklemore, suggesting that he shouldn't be nominated is silly. And, as the author noted, Kendrick was nominated in seven categories. Jay-Z has 19 Grammys at his house. You can't have it both ways.

"20. Because choosing Macklemore over Kendrick is creating a history that hip hop fans will be regretting for decades."

Hip hop fans who like Macklemore won't be. The album stands up and will stand up over time.

"21. Because even while we laud Macklemore for being hyper aware of his White privilege, that means nothing when he’s the one giving the thank you speech and getting the award. (Again, the greater focus must be on the consequences of acts, not the intentions.)"

He lived up to his intentions. Let's assume that the author is right and Macklemore only won because he's white (which isn't true, but whatever), that has NOTHING to do with Macklemore and is NOT a reason to hate him. If this were true, then you'd have to hate the Grammy voters, not the recipient. Besides this doesn't make any sense, logically speaking, since a group of voters doesn't have any intentions, they are individuals.

"22. Because Kendrick Lamar’s style and lyrics are actually grounded in authentic and genuine nuance personal and political talk. Not just politically correct, politically safe, and popular, political talk, like Macklemore’s. Which if you think about the roots and history of hip hop and rap as a whole, it is a damn shame."

While the Kendrick part here is accurate, the rest of this sentence shows, pretty clearly, that the author hasn't even listened to Macklemore's songs because this shit is all false.

"23. Because this prophetic article titled, “Macklemore, White Privilege, and Grammy For The Best Rap Album” sums it all up nicely."

This article that the author links to, while arguing for Kendrick (almost completely on subjective terms), explicitly rejects the Thought Catalog article's very point. Here's an extended excerpt:

Despite all this, Macklemore and his legion of fans don’t deserve such shabby treatment. The Heist deserves its nominations. You don’t have to be a fan of his music to respect Macklemore’s independent hustle, and it’s easy to appreciate his bold stand on social issues like gay rights—a topic about which hip-hop remains woefully behind-the-times.

In fact, Macklemore’s been taking on social issues for years now. Including the issue of white privilege. Way before he was a huge star, before the recent explosions of white rappers, the first song on Macklemore’s 2005 album, The Language of My World, was called "White Privilege.” On it, he rhymed, “Where's my place in a music that's been taken by my race?/Culturally appropriated by the white face/And we don't want to admit that this is existing/So scared to acknowledge the benefits of our white privilege.”

He’s also talked about white privilege in high-profile interviews with Rolling Stone and, quoted below, his CRWN appearance with Elliot Wilson.

"But it's something that I absolutely, not only in terms of society, benefit from my White privilege but being a Hip Hop artist in 2013, I do as well. The people that are coming to shows, the people that are connecting, that are resonating with me, that are like, 'I look like that guy. I have an immediate connection with him.' I benefit from that privilege and I think that mainstream Pop culture has accepted me on a level that they might be reluctant to, in terms of a person of color. They're like, 'Oh, this is safe. This is okay. He's positive.' I'm cussing my ass off in 'Thrift Shop.' Families are like, 'Fucking awesome.' I think that it's an interesting case study and something that I feel, as a White rapper, I have a certain amount of responsibility to speak on the issue of race, knowing that it's uncomfortable, that it's awkward and that, in particular, White people are like, 'Let's just not talk about it. Everyone is equal.' The reality is that...that's bullshit. We absolutely see race. We all do. I think we can evolve as long as we are having discussions about it."

Yeah, that sounds like an entitled artist ripping off hip hop.

"24. Because Macklemore is just not that good people."

This is bullshit slander and has no basis in reality. See the quote just before this.

"25. And lastly, because of that KENDRICK VERSE!"

Which wasn't on the album, so can't be used to support an album of the year award, although it does go towards why I thought Kendrick should've won Best New Artist.

"good kid, m.A.A.d city," Kendrick Lamar (HHES Review)

Here's my review of Kendrick Lamar's album "good kid, m.A.A.d city," using the Hip Hop Evaluation System (HHES).

The first song, "Sherane" isn't a great start to the album. It isn't a bad song, but it's not my type of song, kind of a slower, getting laid type of jam. It's better than most songs like this, but that's not a high bar. The transition to the next song is great, with the recording of Kendrick's parents being fun and entertaining.

"Bitch, Don't Kill My Vibe" is a much better song. I had to hear it a few times for it to sink in, and I don't love the title, but the rest of the lyrics are just plain poetry and Kendrick is opening up about his internal thoughts and feelings like few rappers do.

The next song is one of my favorite songs of 2012. "Backseat Freestyle" bangs harder than just about any song in the last 10 years. The production is perfect and while the lyrics don't exactly tear the world up, Kendrick's delivery is complicated, varied and just plain amazing.

"The Art of Peer Pressure" is the N.W.A. song written by the smart, quiet member of the gang. The guy that's the opposite in attitude of Ice Cube. It's totally some "CNN of the Streets" type shit and it's an impressive song, even if the production is a little more subdued that I would like. It matches Kendrick's vocal style, but he's so low-key at times, you underestimate him.

If anything on the album jumps in your head and sticks, it's the repeated "ya bish," on "Money Trees," another downtempo song that continues the ongoing story that effectively makes the album a "hip hopera." It's a song that grows on you over time and is hard to get out of your head once it gets in.

I'm a big fan of conceptual puns and the next song, "Poetic Justice," is built on a pretty good one, with a Janet Jackson sample being the driving force of the track. Janet played "Justice" in the John Singleton film with the same name as the song. It's catchy, but it's far from my favorite song on the album, lyrically speaking, as it revisits the themes of "Sherane."

"Good Kid" is a bit jarring at times, because Kendrick's speed, which is impressive, frequently outpaces the beat and the hook. The lyrics are are pretty thoughtful examination of gang life and, again, are more personally revealing than most songs of the same genre.

"m.A.A.d city" probably has the best production on the album aside from "Backseat Freestyle." I get the brilliance of having laid back, downtempo tracks matched up with Kendrick's very fast and diverse delivery, but I'd like more of hearing him work with faster, harder beats. This is one of those times and it stands out. MC Eiht adds a great guest appearance to an album that doesn't have many of them.

On "Swimming Pools (Drank)," you probably have the most successful example of the slower beat/faster flow phenomenon I just explained. This song also has one of the better hooks on the album. It's also a good enough rumination on addiction that it would've been at home on a Macklemore album.

The next track "Sing About Me, I'm Dying of Thirst," is loaded with lyrics that continue the album's ongoing story well enough, but the hook is so jarring it turns me off. The production here is amongst the best on the album, but Kendrick's delivery is starting to get a little repetitive by this time on the album and it doesn't help that this song is 12 minutes long.

"Real" improves upon the previous track quite a bit, except for another inexplicably bad hook. "Compton" is another song held back by the "hook," although the rest of the song is pretty good, and an appearance by Dr. Dre gives a nice vocal contrast to Kendrick's voice, which after this point is losing its originality and novelty.

Overall Analysis

Flow: 10. Kendrick has a great voice and he has a lot of range and changes up his style frequently enough that it stays exciting.

Lyrics: 10. Kendrick is a poet with a strong voice, and an honest open writing style.

Message: 8. The messages here are pretty loud and clear, although I'm not sure I love the concept behind the concept album.

Technical: 9. Kendrick does a lot of complicated things on this album and most of them work.

Production: 7. The beats here are mostly very original, but too many of them are downtempo and sometimes jarring.

Versatility: 8. Starts off very strong, but gets into a little bit of a rut by the end.

Collaborators: 8. There aren't many, but most of them are strong, particularly MC Eiht and Dr. Dre. I didn't even notice Drake on "Poetic Justice," which is probably a good thing.

History: 9. This album is all about personal and real world history and it tells a good story. It's lighter on music history, but that's okay, it's not really about that kind of thing, so the absence is valid.

References: 8. Because of the heavy emphasis on the story and ongoing theme, there aren't as many obvious references here as you might find on other albums. But the references that are here are usually pretty good and smarter than your average rapper.

Originality: 10. There aren't other albums like this.

Total Score: 87. Great album, and a higher score than albums like "Yeezus" or "Magna Carta...Holy Grail," that I reviewed recently. If Kendrick can improve upon this on his next joint, he'll have a pretty good case for being at or near the top of the rap game.

The Response to Kendrick Lamar's "Control" Verse

The Twitter is ablaze with talk of Kendrick Lamar's new verse on the Big Sean track "Control," which throws down the gauntlet for pretty much every young rapper in the game, quite a few of them explicitly. Kendrick is bold in calling himself the "King of NY" and for telling pretty much every other rapper that they should just give up. While none of the rappers named in the song have dropped response tracks yet, quite a few others have.

First, though, let's take a look at Kendrick's verse:

Miscellaneous minds are never explainin' their minds

Devilish grin for my alias aliens to respond

Peddlin' sin, thinkin' maybe when you get old you realize

I'm not gonna fold or demise

B*tch, everything I rap is a quarter piece to your melon

So if you have a relapse, just relax and pop in my disc

Don't pop me no fucking pill, I'mma a pop you and give you this

Tell Flex to drop a bomb on this shit

So many bombs, ring the alarm like Vietnam on this shit

So many bombs, make Farrakhan think that Saddam in this b*tch

One at a time, I line em up and bomb on they mom while she watching the kids

I'm in a destruction mode if the gold exists

I'm important like the Pope, I'm a Muslim on pork

I'm Makaveli's offspring, I'm the king of New York

King of the Coast, one hand, I juggle them both

The juggernaut's all in your jugular, you take me for jokes

Live in the basement, church pews and funeral faces

Cartier bracelets for my women friends I'm in Vegas

Who the fuck y'all thought it's supposed to be?

If Phil Jackson came back, still no coachin' me

I'm uncoachable, I'm unsociable

Fuck y'all clubs, fuck y'all pictures, your Instagram can gobble these nuts

Gobble dick up til you hiccup, my big homie Kurupt

This the same flow that put the rap game on a crutch

I've seen n*ggas transform like villain Decepticons

Mollies'll prolly turn these n*ggas to fucking Lindsay Lohan

A bunch of rich ass white girls looking for parties

Playing with Barbies, wreck the Porsche before you give em the car key

Judgement to the monarchy, blessings to Paul McCartney

You called me a black Beatle, I'm either that or a Marley

I'm dressed in all black, this is not for the fan of Elvis

I'm aimin' straight for your pelvis, you can't stomach me

You plan on stumpin' me? B*tch I’ve been jumped before you put a gun on me

B*tch I put one on yours, I'm Sean Connery

James Bonding with none of you n*ggas, climbing 100 mil in front of me

And I'm gonna get it even if you're in the way

And if you're in it, better run for Pete's sake

I heard the barbershops spittin' great debates all the time

Bout who's the best MC? Kendrick, Jigga and Nas

Eminem, Andre 3000, the rest of y'all

New nggas just new nggas, don't get involved

And I ain't rockin no more designer shit

White T’s and Nike Cortez, this is red Corvettes anonymous

I'm usually homeboys with the same n*ggas I'm rhymin' wit

But this is hip-hop and them n*ggas should know what time it is

And that goes for Jermaine Cole, Big KRIT, Wale

Pusha T, Meek Millz, A$AP Rocky, Drake

Big Sean, Jay Electron', Tyler, Mac Miller

I got love for you all but I'm tryna murder you n*ggas

Tryna make sure your core fans never heard of you n*ggas

They dont wanna hear not one more noun or verb from you n*ggas

What is competition? I'm tryna raise the bar high

Who tryna jump and get it? You better off tryna skydive

Out the exit window of 5 G5’s with 5 grand

With your granddad as the pilot he drunk as fuck tryna land

With the hand full of arthritis and popping prosthetic leg

Bumpin Pac in the cockpit so the shit that pops in his head

Is an option of violence, someone heard the stewardess said

That your parachute is a latex condom hooked to a dread

I'll say this first, I like Kendrick and he had one of the best albums of 2012, but he isn't quite the king of anything yet. He might get there, but he hasn't put in the time and earned it and he pretty much knows that and says it by pointing out that Jay-Z and Nas are at his level or higher, making it obvious one of them is more the king of NY than he is.

But I like what he did here. When's the last time there was the last time that you saw this much talk about a newly released song? Particularly a song that wasn't being criticized for dumb-ass references to Emmett Till, sexual assault or equating gold chains with slavery? Probably Kanye when he dropped "New Slaves," and before that not much. And I can't see any of those other songs inspiring so many responses, not only including the ones that are already out, but the many more to come.

Let's take a look a look at those that have come out so far...

Artist: KR
Song: "Lost Control"
Originality?: I guess, it doesn't sound like the other responses or what you hear on the radio, but it doesn't grab me.
Does it come hard?: Mostly, KR goes after a number of additional rappers that Kendrick didn't.
Best line: Doesn't really have any standout lines.
Verdict: I probably wouldn't listen to this again and it doesn't make me want to listen to any of his other stuff.

Artist: Cassidy
Song:
"Control Freestyle"
Originality?: Mostly, there are some tired lines, but most of it is stuff I haven't heard before.
Does it come hard?: Yeah, despite his voice, which is a little squeaky.
Best line: "Even if your flow is sick/I disinfect you/I'm special/if you're plugged in I disconnect you."
Verdict: This is one of the better responses, I'll check out more of his stuff and will probably listen to this again.

Artist: Lupe Fiasco
Song:
"SLR 2"
Originality?: Yes. Some of the dopest lyrics on any of these tracks and a wide variety of delivery styles that show that he isn't playing.
Does it come hard?: Yes, not just lyrically, but in the intellectual weight of the lyrics and the ability to copy. Kendrick's style and other people's styles, as if there isn't anything anyone else can do that he can't do
Best line: "Team me is like meat eating animals meeting a meteor/Dinosaurs, I'm fine with all kinds of wars/Knives and swords, lions, tigers bitin' boars."
Verdict: Lupe is my favorite rapper of this group and this just adds to that.

Artist: Mickey Factz
Song:
"South Park"
Originality?: Yeah, he seems to have put more thought into the lyrics and metaphors than most of this gang, particularly with the series of puns on various other young rappers names. Very nice.
Does it come hard?: Yeah, not as hard as some of the others, he says he's having fun, but it's hard enough to get the point across.
Best line: "I'd rather battle Picasso and Dali in the gardens of Garvey/Shadowbox with Ali, postin up Barkley."
Verdict: Enough to make me a fan.

Artist: Astro
Song:
"KONY"
Originality?: Yes, very good backing track and funny and intelligent lyrics dripping with references.
Does it come hard?: Pretty much. It's not 2Pac hard, but it's Jay-Z hard.
Best line: "Let's battle, it's nothing, you weak, I feel like you're bluffing/You the king? Oh my bad, boy, I feel like you puffin'."
Verdict: Good stuff. I'd listen to this and Astro again.

Artist: B.o.B
Song:
"How to Rap"
Originality?: Musically yes, lyrically, not at all.
Does it come hard?: Not really. He defends himself by making a poppy song and by playing guitar.
Best line: "25 million singles worldwide, I'll guess I'll take another hit/Matter of fact I find this rap shit boring, man I'm over it/Give me my guitar pick, I'll show you shit."
Verdict: Better than most of what I've heard from B.o.B, but he isn't convincing anybody that he belongs in this conversation.

Artist: Los
Song:
"Control (Freestyle)"
Originality?: Maybe, it's hard to figure out what the hell he's talking about. The track jumps all over the place and doesn't really address what Kendrick is talking about.
Does it come hard?: No. It tries to for a few seconds in the middle, between talking about Facebook and Twitter and saying how much he likes Kendrick and everyone Kendrick mentions.
Best line: "They gone have to have me shackled and tackled at tabernacles/While havin my adams apple detached in a baptist chapel."
Verdict: Nope. Probably the worst of all the tracks. Doesn't sound terrible, but the words just don't make any sense.

Artist: Fred the Godson
Song:
"Say My Name"
Originality?: Not at all. I've heard these rhymes before, some of them today.
Does it come hard?: A little bit. He's trying to come hard, but the boringness of the lyrics undercuts it. And when the lyrics come hard, he doesn't.
Best line: "You got New York sick so you the cancer/It's like Philly '96 draft, I'm the answer."
Verdict: The backing track is tight, but this is mostly worthless.

Artist: Joell Ortiz
Song:
"Outta Control"
Originality?: Lyrically, it's pretty good after the first few bars, which seem pretty typical. His flow, though, doesn't engage me that much.
Does it come hard?: Not as hard as he thinks it does, but it's not horrible.
Best line: "I'm Optimus Prime trucking your boulevard, just wishin'/That a star screams so I can go on a bombing mission."
Verdict: Not feeling his style, although he did have some pretty good lines.

Artist: Iman Shumpert
Song:
"Dear Kendrick"
Originality?: Yeah, the only one of these tracks with a sense of humor and one of the few with a variety of deliveries within the song.
Does it come hard?: Not quite as hard as some of the others, but that's because Shumpert has a sense of humor.
Best line: "Got dammit/you could tell that I planned it/Them X-Men come help me take over the planet"
Verdict: Probably my favorite flow of any of these rappers, most of whom I never heard of before. I'll be checking him out more.

Artist: Mysonne
Song: "Uncontrollable"
Originality?: Pretty much, some very good rhymes, metaphors and flow.
Does it come hard?: Yep, although he makes the same "NY is mine" claim that Kendrick made, and it belongs to neither of them.
Best line: "Jewish, Christians, Baptists, Muslims/Scholars, hippies, trappers, hoodlums/I ball with any being, believing in authenticity/This money shit these rappers be screaming don't mean shit to me."
Verdict: Good shit, I'll check out more of his stuff and this is probably the best of these tracks that uses the original song's beat.

Artist: Da Youngfellaz
Song: "Turn Down That Sound"
Originality?: Not particularly.
Does it come hard?: No, they don't go directly after Kendrick and a lot of the lyrics its kinda like, how is this a response?
Best line: "We spit crack here/the way that he rap rare/Like rhyming with black hair."
Verdict: I like some of the lyrics, but the beat and the hook put me to sleep. May listen to some of their other stuff, but that'd be despite this, not because of it.

My favorite response, though, has got to be Kevin Hart's parody, which you can watch at Vibe.

Lots of good Tweets about the verse, too, which you can check out at AllHipHop.com.

My favorite is from Big Daddy Kane, who said: "ATTENTION M.C.'S: Complaining about @kendricklamar verse on twitter is Gossip. Getting in the studio trying to write a better one is Hip Hop"

Update: Two more responses have come in, so I'm adding them below. I'll continue to add new responses as they come out, although anybody who has waited this long has waited too long and whatever they come up with will be weaker just based on its lack of timeliness. Where are the guys Kendrick called out? Where are people like Fabolous, who tweeted about finding a studio that day? Still nothing?

Artist: Riff Raff
Song: "Ballin' Outta Control (The Neon Response)"
Originality?: Yep, the lyrics are poetic and lofty and really unlike any of the other rappers that have done responses.
Does it come hard?: Unless its ironic, not at all. He loves everybody.
Best line: "Still I wish success on everybody, never had a carbon-copy/I hope you have a beautiful family and your label is successful, financially."
Verdict: Once you get past the really annoying and repetitive intro, it's not bad. It's light on material and it's a little hard to understand what he's saying, but it at least tries to do something different.

Artist: Papoose
Song:
"Control (Freestyle)"
Originality?: Nah, not really. The same kind of homophobic and anti-woman insults we hear all the time.
Does it come hard?: Hell yeah, hits harder than any of the previous responses.
Best line: "Singing like a lady/you get away with murder/you George Zimmerman."
Verdict: I already liked Papoose, and this doesn't change that much. I don't agree with everything he says in this verse, but it's a strong one that should help him elevate his name a bit.

Update: Joe Budden jumps in the mix
Song: "Lost Control" (Freestyle)
Originality?: Pretty good, the sound isn't super original, but the lyrics are better than most of the previous responses.
Does it come hard?: Yeah, although it doesn't seem like he's filled with rage or hate .
Best line: "I state facts, not to say it's wack but check the playback/Outrhyming A$AP ain't showing me where your weight at."
Verdict: Don't know much about Budden, but this will make me pay attention in the future.